WaylonandWillie.com

The official website of Waylon Jennings
and
the official website of Willie Nelson Friendship
Waylon and Willie Homepage

Vintage Merchandise CLEARANCE



TODAY IS NOVEMBER 25, 2012

Below is a list of inventory that I have boxed up and ready to get rid of.  If anyone is interested in purchasing the entire lot please email me thru this link david@waylonandwillie.com.

THANKS FOR THE INTEREST.  KEEP EMAILING.  ITEMS ARE SELLING OUT.  SAD TO SEE THEM GO BUT IT'S TIME TO CLEAN HOUSE!


Entire Inventory Retail Value is conservatively $40000.  Will sell entire lot for roughly 37.5% of retail value $15500.  Buyer pays shipping.  I will also consider selling similar items in their entirety.  For example all the Waylon's World T's.  Or all of the Eagle T's.  I will also sell www.waylonandwillie.com with the entire inventory at an additional price.  You can start your own online store!  I have more boxes cds than I can list here and will eventually list those before the end of the year.  Also - lots of press clippings and individual items from my collection.  Serious inquiries only please.

These items were sold on the road and on waylon.com over the years.  If you buy the entire inventory, you can sell it on ebay or in a retail store or on your website.  You could easily make your money back by Christmas.  Especially with the autographed items and collectibles.  It's simply time for me to clean out my storage unit and I now have a new career.  It is bittersweet as many of you might guess. 

Here is a list

ITEM                                SIZE              QTY           VALUE                COST

Waylon's World T XL 5 150 60
Waylon's World T L 6 180 72
Eagle T XXL 5 200 100
Eagle T XL 12 480 240
Eagle T L 12 480 240
No Dress Rehearsal S 21 660 330
No Dress Rehearsal M 17 510 255
No Dress Rehearsal L 12 360 180
No Dress Rehearsal XL 5 150 75
No Dress Rehearsal XXL 13 390 195
Tattoo T XL 12 300 150
Tattoo T L 6 150 75
Tattoo T M 16 400 200
Tattoo T S 18 450 225
Superbilly T XXL 13 325 130
Superbilly T XL 36 900 360
Superbilly T L 44 1100 440
Superbilly T M 25 625 250
Superbilly T S 12 300 120
Superbilly T Y-L 9 90 45
Superbilly T Y-M 17 170 85
Good Timin Man White T XXL 34 1020 510
Good Timin Man White T XL 40 1200 600
Good Timin Man White T L 12 360 180
Good Timin Man White T M 11 330 165
Good Timin Man White T S 21 610 305
Good Timin Man Brown T XXL 11 330 165
Good Timin Man Brown T XL 36 1080 540
Good Timin Man Brown T L 12 360 180
Good Timin Man Brown T S 16 480 240
Waylon and Willie T XXL 4 160 80
Waylon and Willie T XL 42 1680 840
Waylon and Willie T L 28 1120 560
Waylon and Willie T M 9 360 180
Good Timin Man White T L 39 1170 585
Red Hat White Logo Poplin 37 555 275
White Hat Red Logo Poplin 36 540 270
Cream Hat Black Logo Suede 22 440 220
Black Hat White Logo Poplin 4 80 40
01 Trucker Hat 12 120 60
Coolie - No Dress Rehearsal 111 444 222
Coolie - Good Timin Man 43 172 86
Coolie - Good Hearted Woman 32 128 64
Promo LP Will the Wolf Survive 11 1100 550
Never Could Toe the Mark Songbook 4 480 320
Waylon and Willie Songbook 6 1200 600
Heartaches by the Number CD 26 260 130
Waylon and Jessi All American CD 24 240 120
Waylon Logo Bumper Sticker 1000 3000 1000
No Dress Rehearsal Bumper Sticker 1000 3000 1000
Ol Waylon Sings Ol Hank CD 550 5500 1650
Waylon Buckle Dukes Signature 14 560 280
Closing in on the Fire Tour Sheet Promo Sheet 56 1400 560
Waylon Buckle Dukes Color SOLD OUT
Waylon Buckle Superbilly SOLD OUT
01 Buckle Square 5 200 50
01 Buckle Small Oval 9 180 90
Honky Tonk Heroes Cassette 7 70 21
Waylon and Willie Clean Shirt Cassette 4 40 12
Cowboys Sisters Rascals Dirt Cassette 3 30 9
Only Daddy That'll Walk the Line Promo Sheet 10 300 125
Waylon Autobiography Signed 3 1200 900
RC & Moonpie Playbill Signed Waylon and Jessi 2 250 175
Denim Festival Playbill Signed 6 600 335
TOTAL $$ 41359 18321





This site is about Waylon and Willie and the Boys.  I was lucky enough to be one of the 'boys' in a tiny way.  I was on the road with Waylon from about 1991 until his untimely death on February 13, 2002.  No, I wasn't in the band.  I was the Swag King.  Swag for short.  I sold his t-shirts and hats and if you went to any show during those years - chances are you bought a t-shirt from me.  SWAG stands for many things... but in my case it was Stuff We Ain't Gettin.  Meaning, there was no free merch at the show. 

I often tell people I went to the Waylon Jennings School of Business.  This is the truth.  I think of Waylon everyday - whether it was his generosity to strangers and friends or his music or his total honesty.  It was the little things that made Waylon - Waylon.  It's the same things I'm trying to teach my son:  speak your mind, speak the truth and shut up when you got nothing to say. 

Waylon and Willie had a special friendship.  It's one I will never understand and it's one I bet they didn't even understand.  2 opposites with so much in common.  2 free spirits inevitably intertwined.  I imagine them as a really strong rope.. 2 strands that would have done just fine alone but fate wove them together into something strong enough to uplift an entire industry.  Country music would not exist as it is today without them.

So we'll start this thing off with Waylon generic info and links to other outlaws.

Enjoy and keep checking back.

thanks

david@waylonandwillie.com


About Waylon

Waylon personified the outlaw country movement of the '70s. Though he had been a professional musician since the late '50s, it wasn't until the '70s that Waylon, with his imposing baritone and stripped-down, updated honky-tonk, became a superstar. He rejected the conventions of Nashville, refusing to record with the industry's legions of studio musicians and insisting that his music never resemble the string-laden, pop-inflected sounds that were coming out of Nashville in the '60s and '70s. Many artists, including Willie Nelson and Kris Kristofferson, followed Waylon's anti-Nashville stance and eventually the whole "outlaw" movement -- so-named because of the artists' ragged, maverick image and their independence from Nashville -- became one of the most significant country forces of the '70s, helping the genre adhere to its hardcore honky-tonk roots. Waylon combined the grittiest aspects of honky-tonk with a rock & roll rhythm and attitude, making the music spare, direct, and edgy.

Waylon was born and raised in Littlefield, TX, where he learned how to play guitar by the time he was eight. When he was 12 years old, he was a DJ for a local radio station and, shortly afterward, formed his first band. Two years later he left school and spent the next few years picking cotton, eventually moving to Lubbock, TX, in 1954. Once he was in Lubbock, he got a job at the radio station KLLL, where he befriended Buddy Holly during one of the station's shows. Holly became Waylon's mentor, teaching him guitar licks, collaborating on songs, and producing his first single, "Jole Blon," which was released on Brunswick in 1958. Later that year, Waylon became the temporary bass player for Holly's band the Crickets, playing with the rock & roller on his final tour. Jennings was also scheduled to fly on the plane ride that ended in Holly's tragic death in early 1959, but he gave up his seat at the last minute to the Big Bopper, who was suffering from a cold.

The disaster stunned Waylon, and it took him several years to regain his momentum. But his time with Holly had been pivotal: "Mainly what I learned from Buddy," he recalled, "was an attitude. He loved music, and he taught me that it shouldn't have any barriers to it." After working West Texas radio again, Waylon began performing at a bar called J. D.'s in Phoenix, Ariz. There he began to craft a sound that combined his aggressive Telecaster electric guitar style, his rough-edged vocals, and an eclectic repertoire that often borrowed from rockabilly, rock and folk.

In late 1960, he moved to Phoenix, AZ, where he founded a rockabilly band called the Waylors. Waylon Jennings and the Waylors began to earn a local following through their performances at JD's, eventually signing to the independent label Trend in 1961. None of the group's singles made any impact, and Waylon began working for Audio Recorders as a record producer. In 1963, he moved to Los Angeles, where he landed a contract with Herb Alpert's A&M Records. Alpert wanted to move him toward the pop market but Waylon didn't cave in to the demands and his sole single, "Sing the Girl a Song, Bill," and album for A&M flopped.

Following the A&M debacle, Jennings landed a contract with RCA with help from Bobby Bare, and he moved to Nashville in 1965 to record with the legendary Chet Atkins. After arriving in Nashville, he moved in with Johnny Cash, and the two musicians began a long-lasting friendship. Waylon often told stories about Johnny cooking biscuits in his trademark black suit.
"His biscuits weren't that great but I loved when he cooked 'em cause he looked so damn funny with flour all over the place." Waylon released his first single for RCA, "That's the Chance I'll Have to Take," late in the summer of 1965, and it became a minor hit. With his second single, "Stop the World (And Let Me Off)," he had his first Top 40 country hit, and it began a string of moderate hits that eventually developed into several Top Ten singles -- "Walk On out of My Mind," "I Got You," "Only Daddy That'll Walk the Line," "Yours Love" -- in 1968. At this point, he was working with Nashville session men and developing a sound that was halfway between honky-tonk and folk. As the next decade began, he started to move his music toward hardcore country.

In 1970, Waylon recorded several songs by a struggling but promising songwriter called Kris Kristofferson, which led to a pair of ambitious albums -- Singer of Sad Songs and Ladies Love Outlaws -- the following year.
On these two records, he developed the roots of outlaw country, creating a harder, tougher muscular sound with a selection of songs by writers like Alex Harvey and Hoyt Axton. During the following year, Waylon began collaborating with Willie Nelson, recording and writing several songs with the songwriter. Just as importantly, he also renegotiated his contract with RCA in 1972, demanding that he assume the production and artistic control of his records. Honky Tonk Heroes, released in 1973, was the first album released under this new contract. Comprised almost entirely of songs by the then-unknown songwriter Billy Joe Shaver and recorded with Jennings' road band, the album was an edgy, bass-driven, and surly variation on stripped-down honky-tonk. Jennings and his new sound slowly began to gain more fans, and in 1974 he had his first number one, "This Time," followed by yet another number one single, "I'm a Ramblin' Man," and the number two "Rainy Day Woman."

Waylon's success continued throughout 1975, as Dreaming My Dreams -- featuring one of his signature songs, the number one "Are You Sure Hank Done It This Way" -- reached number 49 on the pop charts; he was also voted the Country Music Association's Male Vocalist of the Year. Jennings truly crossed over into the mainstream in 1976, when Wanted! The Outlaws -- a various-artists compilation of previously released material that concentrated on Waylon but also featured songs from his wife Jessi Colter, Willie Nelson, and Tompall Glaser -- peaked at number one on the pop charts.

Following the success of Wanted!, Waylon became a superstar, as well known to the mainstream pop audience as he was to the country audience.

During many of these same years, the TV series The Dukes of Hazzard --- for which Jennings wrote and sang the theme song and served as off-screen narrator --- further popularized his sound and the trademark image of his leather-covered guitar.

For the next six years, Waylons' albums consistently charted in the pop Top 50 and went gold. During this time, he recorded a number of duets with Nelson, including the multi-platinum Waylon & Willie (1978), which featured the number one single "Mammas Don't Let Your Babies Grow Up to Be Cowboys."

Over the course of the late '70s and early '80s, he scored ten number one hits, including "Luckenbach, Texas (Back to the Basics of Love)" (which hit number 25 on the pop charts and spent six weeks at the top of the country charts), "The Wurlitzer Prize (I Don't Want to Get Over You)," "I've Always Been Crazy," "Amanda," "Theme from 'The Dukes of Hazzard' (Good Ol' Boys)," and three duets with Nelson.

While Waylon was selling albums in numbers previously associated with rock stars, his excessive lifestyle also resembled those of many rock icons.
Substance abuse eroded his career for a time, but he eventually beat this problem and stabilized his personal life. He set an example for others by completing his high school equivalency diploma, and has spoken to schoolchildren about the importance of staying in school.

Waylon continued a scaled-down but no less creative career, recording for MCA and Epic during the late 1980s and early 1990s, and touring until his death in 2002. With Willie Nelson, Johnny Cash, and Kris Kristofferson, he gained another No. 1 smash with 1985's "Highwayman," title cut for a gold-selling Columbia album. (The foursome recorded two follow-up albums and also made limited concert tours.) In addition to important albums reissued by RCA and by Buddha Records, he recorded new albums for RCA, Ark
21 Records, and a children's album titled Cowboys, Sisters, Rascals, and Dirt (Sony Wonder, 1993). Other achievements include motion picture and TV movie roles and a televised documentary on cowboys aired on TNN.

Waylon won election to the Country Music Hall of Fame in 2001 and died on February 13, 2002. He is survived by his wife, Jessi Colter, and their son, Waylon Albright "Shooter" Jennings; Colter's daughter, Jennifer; and five children from Jennings' previous marriages: Terry, Tomi Lynn, Julie, Deana and Buddy. Waylon Jennings' rugged individualism and musical vision continue to inspire both seasoned veterans and young, aspiring artists.

This site is dedicated to all the Outlaws Waylon and Willie inspired.